Discourse on the Style Manual Strunk and White

by Dr. Jasmin Bey Cowin

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In his style guide, Strunk discusses in detail the defining principles of composition and writing. His 11 Elementary Principles of Composition contain several noteworthy points. Among his recommendations are “to choose a suitable design and hold to it, make the paragraph the unit of composition, begin each paragraph with a strong topic sentence and thoughtful use of the active voice”. Essentially, writing with these elementary building blocks can be compared to creating a music composition. Paragraphs symbolize harmony, topic sentences depict the melody and the active voice represents the dynamics.
Paragraphs comprise the first unit, the body of the composition. After introducing the main idea at the beginning of a paragraph, three to five sentences follow and support the main idea within. A closing sentence finishes the paragraph and serves as the recapitulation of the main idea put forth. As harmonious building blocks of coherence, paragraphs aid the reader to follow the logical development of the composition.

Focused, clear, specific topic sentences state the main idea of the paragraph. A strong topic sentence serves as the ‘hook’, the ‘melody’ – an invitation to the reader to further explore the text. A topic sentence focuses on and highlights the main idea of the paragraph. The format of a topic sentence is topic + a controlling idea. The controlling idea shows the direction the paragraph will take. Example sentence: compelling writing of compositions requires certain characteristics. The topic is “effective writing of compositions” and the controlling idea is certain characteristics. To summarize, paragraphs are introduced by topic sentences which are comparable to a catchy tune.

The use of active voice generates positive impact, robust dynamics and an elegant flow of sentences and paragraphs. Active sentences contain an active subject. The subject is doing the action. A straightforward example is the following sentence, “The king loves the queen.” The king is the subject, and he is doing the action: he loves the queen, the object of the sentence. An active voice makes it clear who is doing what, it sings in forte or piano.

Strunk models the treatment of paragraphs, topic sentences, and the importance of active voice in writing direct and concise sentences as key in clear and logical writing. Without proper scaffolding and interlocking sequences, writing is prone to lose its focus and thrust.

In conclusion, actively voiced paragraphs and topic sentences are the basic foundations of engaging and thought-provoking writing just as musical compositions use the building blocks of harmony, melody and dynamics to create transcendent symphonies.

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Author: drcowinj

Dr. Jasmin (Bey) Cowin, an Associate Professor at Touro University, received the 2024 Touro University CETL Faculty Fellowship for Excellence in Teaching and the Rockefeller Institute of Government awarded her the prestigious Richard P. Nathan Public Policy Fellowship (2024-2025). As a Fulbright Scholar and SIT Graduate, she was selected to be a U.S. Department of State English Language Specialist. Her expertise in AI in education is underscored by her role as an AI trainer and former Education Policy Fellow (EPFP™) at Columbia University's Teachers College. As a columnist for Stankevicius, she explores Nicomachean Ethics at the intersection of AI and education. She has contributed to initiatives like Computers for Schools Burundi, served as a resource specialist for Amity University in Uttar Pradesh, India, and participated in TESOL "Train the Trainer" programs in Yemen and Morocco. Her research interests include simulations and metaverse for educators-in-training, AI applications in education and language acquisition and teaching, and distributed ledger technologies, with a focus on her 'Education for 2060' theme. In conclusion, my commitment extends beyond transactional interactions, focusing instead on utilizing my skills and privileges to make a positive, enduring impact on the world.

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